The Didot Family Legacy

 Didot is the name of a family of French printers. Were born printers, publishers, and type founders who had a profound influence on the history of typography in France. The Didot family history and work can be divided into four generations. 

The founder of the family history, Francois Didot, was a merchant who was born in Peris (1689 - 1757). In 1713 was when he opened a bookstore called "A la bible d'or", meaning The golden bible, and began his printing business. The highlight of his work is publishing a 20-volume collection of the works of the Abbe Prevost, a French novelist.

The second generation, Didot's eldest son, Francois Ambroise (1730-1804) he is best known for altering the standard of type design, he allowed greater contrast between thick and thin letters. Stablished the didot point system for sizing typefaces by width of 72 points to the French inch, becoming the standard. Ambroise Didot invented a new printing press, improved type-founding, and first to print on vellum paper, also abandoned the use of “parisienne” and “petit romain” which referred to type size and instead distinguished types by their size as measured in points.

The third generation, Ambroise had two sons, Pierre, who took over the printing press, and Firmin who was in charge of the type foundry. Pierre published Virgil, Horace, La Fontaine, and Racine, acclaimed editions. Now, Firmin was the responsible for the design of the Didot typeface (1784), he was inspired by the Baskerville font, which serifs were more pronounced, letters rounded, and moved away from replicating scribe in manuscripts, which fonts were designed to look as much as the handwriting of scribes, this font is regarded as the first Modern typeface. Didot font added more contrast to the strokes and serifs. Didot invented the word "stereotype", which in printing refers to the metal printing plate created for the actual printing of pages, developing cheap editions. Later, Napoleon appointed him as the director of the imperial type-foundry.

Henri Didot (1765-1852), son of Pierre, is best known for his microscopic type called 'Non-Plus Ultra', to cast this small font he invented a mound called polyamatype. Henri also engraved the assignats, which refers to the paper money used during the French Revolution. The second son, Leger (1767-1829), most known for inventing a papermaking machine and lastly Jules (1794-1871), famous for round-edged initials, later founding a printing plant in Brussels, Royal Printing House.

The fourth generation and last, Firmin Didot's son, Ambroise-Firmin (1790-1876) took over the publishing press in 1827 with his brother Hyacinthe. Most important publish work was the Thesaurus by Henri Estienne. Edouard Didot (1797-1825), son of Leger, made a translation of Johnson's "Lives of the Poets".

We can see Didot's family font legacy in Cahiers d'Art and Harper's Bazaar. Vogue has been using Didot as the typeface for their cover title since 1955. CBS News and the Late Show with Stephen Colbert and Zara.










Comments

  1. Wow what a talented family. I love the way you broke it down by going through the oldest to the youngest generation. I also love the examples you put at the end, and I love knowing the history behind the typeface used in these vogue magazines. Next time I see someone looking at one, I'll let them know. I think I was most interested with Henri Didot's work because you mentioned it was a microscopic type, and I looked him up and found his type in "Maximes" of La Rochefoucauld, and it was really cool to see.

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  2. I have seen this font many times in different places such as magazines and never knew its origins. The images you included show how the font can be used in different instances. The font over combines thick and skinner line weight and works all around. The family has a lot of skills and has shown that they are proficient in the exploration of typography. Nice blog post.

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  3. This is amazing!!! Clearly, the influence that this family left is extraordinary. It is interesting and fascinating to see how they have been impacting the art world since 1713 when they opened the first bookstore and started printing, until now when we can still appreciating their work on very important magazines.

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  4. That family is so talented wow! It's really nice to finally be able to learn about the history behind the beautiful and iconic font! The mark this family left on the world was bold and loud! A force to be reckoned with.

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  5. This is very interesting to learn about because I recognize the Didot font and I actually like it, but never used it. It's very interesting to learn the history of these fonts. It's clear that this family is very talented and that they have left their mark as we can see their work being used to this very day as we speak. Also good job on explaining it while making easy to read and and showing examples of it being used in the modern world.

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  6. I find it beautiful that generations of this family were so invested in design and printing. It is inspiring to hear that each generation pushed the boundary in their own unique way. I also never knew this font was so heavily used today! Thank you for including it in your presentation, otherwise I wouldn't have known. It interesting to think why it is used so much in fashion magazines. What makes this font such a perfect fit for this medium?

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  7. I like how you included those well-known real-world examples of the typeface. The whole family font is absolutely beautiful! I also did the Didot family for my presentation and there were some points I was not aware of. Great Job!

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  8. So cool that generations of family went into the family buisness of design. And its incredible that their fonts are still used today and in popular magazines. I love the way you set up your blog and talked about each generation, it was easy to undersand. Great post!

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